Danmarks Kunstbibliotek The Danish National Art Library

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Danmarks Kunstbibliotek The Danish National Art Library

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(ORPORATfON ^OF L ^ondoi

7IRTG7ILLE1?

Ig p L O G U i

OF THE LOAN COLLECTIO

o f P ^icture

1907

PfeiCE S ixpence

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<Art Gallery o f the (Corporation o f London.

w

C a t a l o g u e of the

Exhibition of Works by Danish Painters.

BY

A . G . T E M P L E , F .S .A ., Director o f the 'A rt Gallery o f the

Corporation o f London.

T H O M A S H E N R Y E L L I S , Esq., De p u t y,

Chairman.

1907.

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m apm jtS *Z r*m 8?v 'aSroSSassggiBÆS

3ntrobuction

By A. G. Te m p l e, F.S.A,

T

H E earliest pictures in the present collection are those o f C a rl' Gustav Pilo, and Jens Juel.

Painted at a time in the 1 8th century when the prevalent and popular manner was that better known to us by the works o f the notable Frenchmen, Largillibre, Nattier, D e T roy and others, these two painters caught something o f the naivété and grace which marked the productions o f these men.

In so clear a degree is this observed, not so m uch in genre, as in portraiture, that the presumption is, although it is not on record, at any rate as regards Pilo, that they must both have studied at some time in the French capital. N o other painters o f note, indigenous to the soil o f Denmark, had allowed their sense o f grace such freedom to so express itself. T he staid restraint, the cold, passive, yet accurate rendering o f much in Danish Art, sparkled in these two instances into animation, even into a gay vitality, Pilo in particular, whose portrait o f the Queen Louisa, from Frederiksborg Castle (N o. 1 7 7) leaves little to be desired, even when placed in competition with the

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most vivacious exponents o f French portraiture. The subtle touch, the unspeakable expression o f charm, are manifest, caught from the brilliant city by the colder northern nature, in no unwilling spirit, but with delight. Juel never acquired the freedom o f Pilo, who in his happiest efforts might reasonably be conceived as coming within measurable distance o f the grace o f Fragonard. H e could not so entirely break the bonds o f convention and control, but he allowed himself to be led towards yielding, amid the passive aspect which prevailed, to a warmth o f expression, which, in its gentle delineation o f feminine beauty can best find a parallel in the works o f Greuze.

T he immediate successors o f these two men gave no indication o f any proclivities o f this kind. The most prominent o f them was Eckersberg (born 1 7 8 3) who is generally regarded by his countrymen as the founder o f the Danish School o f Painting. H e studied in Paris under Louis David, in the early part o f the nineteenth century. His atelier in Copenhagen was continually thronged with pupils, not only o f his own land, but from Germany, and his influence in the special direction in which his characteristics lie, in the passionate craving for truth o f delineation, took deep root. His limited range o f expression, and persistent self-restraint, even in portraiture, can only be atoned for by the possession o f faultless fundamental qualities in his aspect o f art, and the fineness and accuracy o f his handiwork, whether in portraiture, architecture or marine subjects.

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Christian Albrecht Jensen (a), Constantin Hansen (6), and Christian K ôbk e (/), followed very near to Eckersberg in their views and practice, evincing no aspiration to enlarge the sphere or style in which they worked, but keeping, with irritating consist

ency, their unquestionably fine capacities within most prescribed limits. T h e subjects which satisfied K ôbke were found within a few steps o f his own door, and when he essayed portraiture, invariably on a small scale, he carried into it the sharp and unerring insight which so marked his landscape painting. T he two portraits, Nos. 1 6 0 and 1 7 2, in their devotion to absolute accuracy, are on a level, in this respect with the patient productions o f the early Flemings ; but they are more breathing and lifelike.

They are warmer, and o f finer quality than Eckers- berg’s, so that it is small wonder that he too, not only had many followers, but drew many o f Eckersberg’s

to him as well.

T he time came when a new field was offered to Danish Artists, by the facilities afforded by the Danish Academ y o f Arts, which admitted o f their travelling and studying in Italy. Eckersberg, o f course, availed himself o f this privilege, but another distinguished painter did so also, Constantin Hansen. It was not the warmth o f the Italian clime, or the poetic fervour o f its people that he brought into his pictures, but the pure light o f its skies as his own cold northern eye saw it, and an amazing exactitude in the delineation o f its

(a) Born 1792. (i) Born 1804. (r) Born 1810.

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ruined architecture, upholding in the highest degree the ideals he had received, and the teaching he had experienced, from Eckersberg, of, above all things, truth, in the striving for which the glamour and the romantic touch o f an illustrious land took second place. His studies were chiefly at Pompeii, and these proved o f great service to him, when, on his return to Denmark, he was commissioned to adorn the Hall o f the University with pictures illustrative o f Ancient Greek mythology. It is the precision o f work which is the fascinating charm o f Hansen’s productions, united as it is, o f course, with the consummate handicraft displayed in its execution.

N o better examples o f these characteristics could be found than in the two works Nos. 1 8 3 and 1 8 6. W e must regard the work o f these three men, Jensen in portraiture, Hansen in architecture, and K ôbke in portraiture and landscape, from this standpoint, and we can readily conceive it as controlled rather by a sense o f modesty than by a want o f confidence in their powers, and study what they have handed down to us as examples o f the most painstaking drawing and faithful presentments o f the objects portrayed. Their attraction to the connoisseur lies in the precision and care with which they are executed, and, by these attributes, if by no other, they appeal to the eye with the keenest delight.

In Ernst Meyer (a) we encounter one in whose work the severe accuracy advocated by Eckersberg

(a) Born 1797.

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is loosened, and a freedom o f handling is seen, due to the artist’s own power o f perception, and to a strength within him to resist the prevailing practice, in his efforts to penetrate the feeling in nature (see N o.

1 9 5). Marstrand (b) was another who sought more freedom in expression, and in many o f his sketches he obtained it, notably in the beautiful Venetian piece in the National Gallery at C openhagen;

and, better had it been had he preserved it in his larger and finished works. These mostly have a tightness which fails to command the charm which can be claimed for his less finished works. Im pul

sive and bright, and savouring distinctly o f the prevailing life o f Italy, this Danish Longhi has left on record touches o f Venetian life which might well go hand in hand with the architectural performances o f Canaletto and Guardi, in the interpretation they convey o f the life and movement o f the place.

Italian scenes, however, were not the only ones which animated h im ; subjects from the famous Danish drama

tist, H olberg (see No. 2 3 0), and from historical and scriptural sources found employment for his brush, and, in certain domestic compositions, o f which No. 1 7 6

may be taken as a most excellent example, his grace o f design and fulness o f pleasant colour mark no inconsiderable capacity. When, towards the middle o f the nineteenth century, these seekers after progress in Italy returned to Denmark, they were met by a newly- awakening movement in their country’s art, the upholder

(/>) Born 1810.

A

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o f which was the eloquent writer Hoyen. Adopting the principle that Danish art should be a national one, both in subject and in form, he endeavoured to tightly bind that which should be free, and, inasmuch as many men o f notable ability endorsed his views and accepted his guidance, such as Lundbye with his really excellent Danish landcapes o f wide expanses, and Dreyer, with his fine sense o f national colour, P. C. Skovgaard, in his faithful rendering o f Danish woodland, Kyhn, with his level stretches full o f glow and feeling, Sonne, Dalsgaard (see No. 1 8 2), and others.

Obviously, the effect o f his teaching was to restrain the expansion o f his country’s artistic capacity, by placing a limit on its artistic outlook. It satisfied many for a time, but not all. Anton and Willem Melbye, Sorensen and Carl Bloch were among the earliest to show a restlessness under it, and to express dissent from so straitened a view ; and, later, Otto Bache, the painter o f the large picture from Frederiksborg (N o. 2 3) after a stay in Paris, gave new impulses to Danish art by his altogether broader views and technique.

N o nation stands still for long uninfluenced by the developments in other nations, and so at the great Exhibition in Paris in 1 8 7 8, the eyes o f many o f the younger painters o f Denmark were opened, and the more enterprising o f them betook themselves to Paris, to work in the studios o f the prominent French painters. Am ong these were Kroyer and Tuxen, V iggo Johansen and Philipsen. These in their turn returning to Denmark, imparted to others their new

and broadened views and principles, enlarging thus the general scope o f their country’s outlook, and expanding the style and sphere o f its work. While influence o f this character permeated the Danish artistic community throughout, there were painters like Julius Paulsen and Zahrtmann who held rigidly to their own course, averse to admit their dependence on foreign views and practices, and regarding their own established ideas as sufficient for them. Yet it is much to be doubted whether any devout follower o f the acknowledged founder o f their country’ s art could have executed, unaided by foreign inspiration, that most exquisite piece o f art by Paulsen, entitled

“ Night,” N o. 1 1 7, with its varied and faithful lights, its free handling, and its uniform truth.

One o f the exceptional points to be observed in the career o f Danish art is the scarcity in it o f the ideal or poetic. In a country so near in its intimacy to Scandinavian legend and romance, to the land o f the Valkyrie, and so many other romantic associations, how few are the works from the artistic hand which interpret to us the past and the fanciful. Is the stirring career o f Harfagr, for example, never in their thoughts ?

The young King, the Norse King Whose keels cut the brine ; Red rimmed are his bucklers,

Betarr’d are his oars ; His sails are all bleached

With the sea-spray and showers.

or Odin the god, or the sacred bird, the raven, on whose omens so much was wont to depend. Mrs. Slott-

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1 2

Moller, and Irminger, Schwarz, T horolf Pedersen, and Joakim Skovgaard are among the very few to whom such themes inspire pictorial representation, and this is the more to be wondered at when it is remembered how really poetical the people, as a nation, are, and what poetical verse has been produced by the literary ability o f the country.

Schwarz, in the skilful grouping and free movement o f that noble piece o f decoration for the Church o f the Hospital for aged women at Copenhagen, illustra

tive o f the parable o f the ten virgins, is a long distance from the original cramped limits o f the early school, and rightfully alarms the adherents o f that school by the beauty o f imaginative line and by the fine capacity it shows for free grouping on a large surface (see No. 4 6).

In Irminger there lives much poetic thought, ex

emplified in the present Collection by “ The Soul o f a C h ild ” (N o. 2 5), and by those imaginative scenes in the Roman arena which appeal strongly to the emotions. Joakim Skovgaard in some o f his work, such as scenes inspired by R om e and its neighbour

hood, recalls in no small degree the work o f Eckersberg, but he possesses also the poetic faculty, and fills his compositions o f this kind with beautiful imagery, in which the symbolical— so great a rarity in Danish art— finds a conspicuous place. His large frescoes o f biblical subjects in the cathedral at Viborg are among his more successful performances. T o Mrs. Slott- Moller, whose work is seen in the illustration o f a Northern legend (N o. 1 9), the poetic distinctly appeals, and more o f her refined and mediaeval render

ings, in a nationality where so much landscape and portraiture is seen, would be acceptable. Quaint in their conception, o f sufficient colour, and always deep in meaning, they too stand apart as worthy o f special notice : as also do such works as “ The Vikings ” by T horolf Pedersen (N o. 2 4), which pictures a fleet o f these sea-robbers o f a past age, sailing their swift craft over the darkening waters.

Anna Ancher also, in her D e H oogh-like interiors, discloses a sensitive estimate o f the value o f light and shade with, at the same time, a strong appreciation o f colour (see No. 1 4 2), and Carl Holsee, o f whom too little appears to be thought, arrests the English eye by a charm akin to that conveyed to us by the best o f the early Dutch interior painters (vide Nos. 1 1 4

and 1 1 8).

In Erik Henningsen, a rare capacity reveals itself, and his fine rendering o f “ Evening in Ostergade ” (N o. 5) may be accepted as an example o f it. It is as masterly as Kroyer’s “ Sardinière” (N o. 1 2), the relationship, one to the other o f the various warm and cold lights being strikingly distinct and true, with the added attribute o f a deliberate and unhesitating execution.

Other notable men strike the connoisseur by the individuality o f their work, Niss, Christiansen, Philip- sen, and Viggo Pedersen, by their devoted and beautiful interpretations o f landscape; Therkildsen, by his cattle, as fine in certain instances as that o f Van

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H

M arcke ; and H elsted and Verm ehren, by their thoughtful and well arranged scenes o f dom estic life,

T h e strangest developm en t o f all in recent years in D enm ark has been the art o f H am m ersh oj. W h o w ould have ever thought o f putting forward an empty room as the su bject for a picture. Y et the sensitive gradations o f light and their value in em pty places, have aroused in him a curious kind o f perception, which may in the future b e repeated and practised by others, but its originator is H am m ersh oj. 1 o p rodu ce what he does with so lim ited a palette, to be content with that limit, and rarely in deed to venture into any sort o f colour, unless it b e the m ost delicate o f lem on yellows, suggests the possession o f an u n com m on pow er o f restraint. W ere a feeling for colou r to be develop ed on his part, he w ould be a D e H o o g h . A t the present stage o f his career, if we pass by the delicate gray effects o f em pty or h alf em pty room s to those productions in w hich a figure is introdu ced, such as in the “ R esting ” (N o . 1 3 1), we encounter a capacity w hich is a very near approach in deed to V erm eer o f Delft.

It must not b e ov erlook ed that D enm ark is a country very self-centred, with a patriotic lov e for its ideals and institutions, and though her painters may for a tim e bow the knee to outside influences, they return ere long, as in V ig g o Johansen’s case, to the o ld conceptions, to be the painters o f their ow n hom es and landscapes, their ow n shores and seas, theii lofty cliffs and c o ld clear skies. But they carry with them,

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nevertheless, by virtue o f foreign influence, even in to scenes such as their eye has continually dwelt on, the broader touch, the freer grasp, and while K royer may give us his beautiful “ Sum m er Evening at the S k a w ” (a), M ich ael A n ch er his vigorous “ W ill it W eather the P o i n t ? ” {/>), T u xen his lordly

“ Appassionata ” (<?), D anish to the core as are all these three works,— exam ples truly o f many others,—

the advance in breadth o f treatment and fulness o f expression w hich they reveal is attributable, n ot to any adhesion, or even any regard, to the principles enunciated by the revered founder o f their art, but to the enlightened experience drawn from bey on d their shores, and operating on a race, tender in its force, earnest in its aims, and with a passionate reverence for its tim e-h onou red associations.

T h e present is the Fifteenth E xh ibition held at the G uildhall.

The First was in 1890, of works of the Flemish, Dutch and British Schools, and was visited by ...

The Second was in 1892, of works o f the Flemish, Dutch, Italian and British Schools, and was visited by ...

The Third was in 1894, of works o f the Dutch and British Schools, and was visited by ...

The Fourth was in 1895, of works of the Dutch and British Schools, and was visited by ...

(a) No. 29.

109,383 persons.

236,362

300,366

A * ■ >

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JMHUSKl

Brought forward ... 908,921 persons.

The Fifth was in 1896, of Water Colours o f the British School, in only a portion of the Galleries, and was

visited by ... 124,271 ,, The Sixth was in 1897, of works by

Painters of the British School during

the Queen’ s reign, and was visited by 248,094 ,, The Seventh was in 1898, of works of

the French School, and was visited by 206,746 ,, The Eighth was in 1899, of the works of

J. M. W . Turner, R .A ., and his con

temporaries, and was visited by ... 223,132 ,, The Ninth was in 1900, of the works

o f living British Painters, and was

visited by ... ... ••• ... 201,456 ,, The Tenth was in 1901, of the works of

the Spanish School, and was visited by 305,359 ,, The Eleventh was in 1902, o f works by

French and English Painters o f the

18th Century, and was visited by ... 171 »913 >>

The Twelfth was in 1903, o f works by the Early and Modern Painters o f the

Dutch School, and was visited by ... 134,880 ,, The Thirteenth was in 1904, o f works by

Irish Painters, organised at the request of the Irish Executive, and was visited by ...

The Fourteenth was in 1906, of works by the Early Flemish and Modern Belgian Painters, and was visited b y ...

72,268 „

I37.S2I ..

2,734,561 „

In addition to the above number, the permanent

C ollection o f the C orporation has b een visited since its establishm ent in 1886 b y 1,131,785 persons,

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bringing the total num ber o f visitors to the Guildhall Gallery to 3,866,346.

T h e E xhibition n ow o p en is com p o s e d o f a selection o f works by D anish Painters.

T h e Corporation o f L o n d o n desires to express its sincere thanks to the owners o f these works for the kindness with w hich m any distinguished and valuable exam ples have b een placed at its d is p o s a l; and it desires also to recognise the valuable assistance which has been rendered in C openhagen in con n ection with the E xh ibition b y P rofessor Lauritz Tuxen, M r. Secretary Weiss, Ministry o f Culture, M r. T h . O pperm ann, G overnm ent In spector o f the Carlsberg G lyptotek, Mr. K arl M adsen, G overnm ent In spector o f M useum s, and M r. V . Jastrau ; and in L o n d o n by M r. V aldem ar Faber, the D anish Consul-G eneral.

T h e Exhibition will b e op en from Tuesday, the 9th April, to Saturday, the 13th July, inclusive.

W eek days, 10 a.m. to 6 p.m.

Sundays, 3 p.m . to 6 p.m.

T h e A dm ission will be free.

Gu i l d h a l l,

April, 1907.

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Xibrarç Committee,

T H E R IG H T H O N O U R A B L E T H E L O R D M A Y O R .

THOMAS HENRY ELLIS, Esq., Deputy, Chairman. Sir JAM ES TH O M SO N R IT C H IE , Bart., Alderman. Sir JO H N C H A R LE S B ELL, Alderman.

Sir T . V E Z E Y STR O N G , Alderman.

W IL L IA M C H A R L E S SIM M O N S, Esq., Alderman.

FR AN C IS S T A N H O P E H A N SO N , Esq., Alderman.

G E O R G E H A YSOM , Esq.

JAM ES BAN K S P IT T M A N , Esq.

E D W A R D A N S T E D , Esq.

G E O R G E T A Y L O R , Esq.

E D W IN F R E D E R IC K F IT C H , Esq.

W IL F R ID D E S E L IN C O U R T , Esq.

TH O M A S H O W A R D D E IG H T O N , Esq.

R O B E R T W IL L IA M E D W A R D S , Esq., Deputy.

C U T H B E R T F R E D E R IC K C O R B O U LD -E LL IS , Esq., Past

Chairman.

C H A R L E S G A M E , Esq.

JAM ES R O W L A N D B R O U G H , Esq.

LOUIS A R T H U R N E W T O N , Esq.

J O H N H E N R Y W IL L IA M S , Esq.

G E O R G E E D W A R D S , Esq., F .R .I.B .A ., Deputy.

M IL L A R W IL K IN S O N , Esq., Deputy.

W IL L IA M O A TLE Y , Esq. JAM ES LA K E , Esq.

W IL L IA M R O M E , Esq., J.P., F.S.A., F.L.S.

Sir H O R A C E BRO OKS M A R SH A L L , J .P ., M .A ., L L.D A L F R E D J E R R O L D -N A T H A N , Esq.

C H A R LE S TH O M AS H A R R IS , Esq., J.P., Deputy.

H E N R Y E D W A R D M OOJEN, Esq.

A R T H U R H O L T B A R B E R , Esq.

C H A R L E S J O H N TO D D , Esq. Major JO H N H U M P H E R Y .

Col. V IC K E R S D U N FE E . JOSEPH H E N R Y B A T T Y , Esq.

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GALLERY I.

f i t 1 .

ADAM AND EVE.

B y JULIUS PAULSEN. 5 8 x 6 1 inches. L en t fr o m the NATIONAL GALLERY, COPENHAGEN.

Julius Paulsen, living painter, was born at Odense, Denmark. Studied at the R oyal Academy, Copenhagen.

2 .

PORTRAIT OF H.M. TH E TS A R NICHOLAS II WHEN A BOY.

B y PROFESSOR LAURITZ TUXEN. 3 4 x 1 8

inches. L e n t b y the REPRESENTATIVES OF THE LATE KING CHRISTIAN OF DENMARK.

Professor Lauritz Reqner Tuxen, living pain

ter, was born at Copenhagen, and studied at the Royal Academy, Copenhagen, and under M. Léon Bonnat, in Paris.

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T H E A V E N U E IN T H E PARK.

B y ALBERT GOTTSCHALK. 2 4 x 1 9 inches. L en t b y IVAN HARTVIGSON, ESQ.

Albert Gottschalk, born at Hege, Denmark,

1 8 7 6; died, 1 9 0 6. Studied with M. Karl Madsen, and under P. S. Kroyer.

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GALLERY I. GALLERY I. 23 22

4 ~

T H E H EAR T OF T H E EMPIRE

— A VIEW OF LONDON, LOOKING W E S T FROM TH E TOWER OF T H E ROYAL E X C H A N G E — TIME, THE ACCESSION OF KING EDWA RD VII.

B y NIELS M. LUND. 5 4 x 7 2 inches. L en t b y THE ARTIST.

Niels Moller Lund, living painter, born at Faaborg, Denmark. Studied at the Schools o f the R oyal Academy o f Arts, L o n d o n ; Member o f the Institute o f Oil Painters, L on d on ; hon. mention, Paris Salon, 1 8 9 4; gold medal, third class, Paris,

1 8 9 5; represented in the Luxembourg by “ A Scotch landscape.”

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EVENING IN OSTERGADE, COPENHAGEN.

B y ERIK HENNINGSEN. 3 5 x 5 0 inches. L e n t b y M. BOGHANDLER TRIJDHE.

6 .

A L I T T L E GIRL WITH GEESE.

B y VIGGO JOHANSEN. 27 x 25 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

7 .

A WO UNDED LIONESS IN TH E ROMAN ARENA.

B y V. IRMINGER. 4 0 x 5 3 inches. L e n t b y WILHELM HANSEN, ESQ.

8 .

A T BEGTR UP BAY.

B y JANUS LA COUR. 1 7 x 2 9 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

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A PP A SS IO N A T A — A S EA PIECE.

B y PROFESSOR LAURITZ TUXEN. 7 4 X 9 9

inches. L e n t b y THE ARTIST.

I O .

T H E CHRISTIAN M ARTY R IN T H E ROMAN ARENA.

B y V. IRMINGER. 3 7y2 x 37]/a inches. L en t b y GROSSERER HOLGER PETERSEN, ESQ.

Erik Ludvig Henningsen, living painter, born at Copenhagen. Studied at the R oyal Academy, Copen

hagen.

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24 ^GALLERY^I.

I I .

T H E VIL LAGE OF RING, SEALAND.

B y L. A. RING. 17 x 26 inches. L e n t b y KARL MADSEN, ESQ.

Lauritz Andersen Ring, living painter, was born at Ring, near Prasto, Denmark.

IN A SA RD IN IE RE — FINISTERRE.

B y P. S. KROYER. 4 4 x 5 5 inches. L e n t b y BERNHARD HIRSCHSPRUNG, ESQ.

1 3 *

A R IVU LE T IN TH E WOODS A T LELLINGE.

B y C. GODFRED RUMP. 2 4^ x 3 5 inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

Christian Godfred Rump, born at Hillerod, D en

mark, 1 8 1 6; died, 1 8 8 0. Studied at the Royal Academy, Copenhagen.

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IN TH E W A K E OF TH E S H I P - MEDITERRANEAN.

B y THORVALD NISS. 2 4 x 3 8 inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

GALLERY I. 25

! 5 -

PORTRAIT OF MR. GROSSERER FREDERICIA.

B y JULIUS PAULSEN. 29 x 2 4 ^ inches. L e n t fr o m the MERCHANTS’ INSTITUTION, COPEN

HAGEN.

l6.

A PIERROT AND HIS FAMILY.

B y W. ROSENSTAND. 2 9^ x 2 4^ inches. L en t b y GEHEIMEETATSRAAD IS GLUCKSTADT.

Wilhelm Jacob Rosenstand, living painter, was born at Copenhagen. Studied at the Royal Academy, Copenhagen.

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LANDSCAPE, NEAR HORSENS.

B y WILHELM KYHN. 15 x 24 inches. L en t b y HEINRICH HIRCHSPRUNG, ESQ.

l8.

IN— OVER T H E BAR.

B y MICHAEL ANCHER. C a n v a s 4 3 x 5 6 inches.

L en t b y CARL MELCHIOR, ESQ.

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B y N. P. MOLS. 22 x 27 inches.

HEINRICH HIRSCHSPRUNG, ESQ.

L en t b y

B y ANTON MELBYE. 4 1 x 6 o f inches, b y H.M. THE KING OF DENMARK.

Professor Daniel Herman Anton Melbye, born at Copenhagen, 1 8 1 8; died, 1 8 7 5. Studied at the R oyal Academy, Copenhagen, and under C. W.

Eckersberg.

2 2 .

VE NU S TRIUMPHANT.

B y PROFESSOR LAURITZ TUXEN. 49 x 43 inches. L e n t fr o m the CARLSBERG GLYP

TOTEK, COPENHAGEN.

GALLERY I. ^{2 7}

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T H E CONSPIRATORS RIDING FROM FINN ERUP A F T E R TH E MURDER OF KING ERIC GLIPPING.

B y OTTO BACHE. C anvas 9 9 x 1 4 8 inches.

L e n t f r o m the NATIONAL AND HISTORICAL MUSEUM IN FREDERIKSBORG CASTLE.

I N 1 2 7 3 E ric, K in g o f D en m ark , b e in g then 2 4,

1 m arried the P rin cess A g n e s o f B ra n d en b u rg.

M o o d y a n d u ntrustw orthy, his pursuit w as m a in ly that o f pleasure, tournam ents, lo v e in trigues, a n d the chase. O n e o f his h ig h e st offi

cia ls w as the M arshal, S tig A n d e rso n , a m an o f n o b le birth a n d d istin g u ish e d career, in w h ose absen ce in a c a m p a ig n in S w eden , his b e a u tifu l w ife w as in fa m o u s ly d ish o n o u re d b y the K in g . T h e in fu ria te d h u sb a n d , w ith h is k n ig h ts a n d a h u n d re d m en -at-arm s, r o d e fo rth w ith to V ib o r g , in J u tla n d , then the ca p ita l a n d seat o f g o v e r n ment, a n d o p e n ly p ro cla im e d v en g ea n ce o n the K in g . T h e o p p o rtu n ity cam e o n 2 2n d N o v e m ber, 1 2 8 6. A t the c lo s e o f a d a y ’s h u n tin g, the K in g , w ith o n ly tw o attendants, so u g h t shelter fo r the n ig h t in the sm a ll to w n o f F in n eru p , five m iles fr o m V ib o r g , h a v in g to con ten t them selves w ith the barn, as the h ostel w o u ld n o t o p e n its d o o r s to strangers a fte r n ig h tfa ll. O n e o f h is tw o attendan ts w as in le a g u e w ith the revengers, a n d o m itte d to b o lt the d o o r w here th ey slept.

O n the h ills id e near w as the a v e n g in g g ro u p , d is g u is e d as g re y friars, an d , r id in g d o w n to the barn, seven o f them b r o k e in, the first to to u ch the K in g a n d run his sw o rd th ro u g h his

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28

GALLERY I.

b o d y b e in g P a b lo L ittle, the a g e d fa th er o f the d ish o n o u re d la d y . H is co m p a n io n s m a d ly f o l lo w e d a n d co m p le te d the m u rder b y cou n tless thrusts. F ir in g the barn, th ey then rem ou n ted a n d r o d e a w a y in the d ire ctio n o f S k a n d e r b o rg C astle, w here d w e lt Q u een A g n e s, and, at the ca stle gates, A n d e rs o n lo u d ly m a d e k n o w n that he h a d m u rd ered the K in g . T h e greater part o f the re ig n o f the so n w h o su cceed ed E r ic w as spent in p u rsu in g this p o w e r fu l man, in o rd e r to a v en g e h is fa th er’ s death.

Otto Bache, living painter, born at Roskilde.

Studied at the Royal Academy, Copenhagen. H olds a Professorship at the R oyal Academy.

2 4 .

TH E VIKINGS.

B y THOROLF PEDERSEN. 4 5 x 6 8 ^ inches.

L e n t fr o m the NATIONAL GALLERY, COPEN

HAGEN.

Thorolf Frederick P. M. Pedersen, living painter, was born at Copenhagen. Studied at the Royal Academy, Copenhagen.

2 5 -

TH E SOUL OF A CHILD.

B y V. IRMINGER. 3 4 ^ x 4 3 ^ inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

GALLERY I. ^{2 9}

26. PORTRAIT OF MISS TRESCHOW.

B y P. S. KROYER. 5 3 x 3 5 inches. L en t b y MISS TRESCHOW.

27

^-

i n

THE CHURCHYARD.

B y HANS NIKOLAJ HANSEN. 3 7 x 4 8 inches.

L e n t fr o m the CARLSBERG GLYPTOTEK, COPENHAGEN.

Hans Nikolaj Hansen, living painter, born at Fredensborg, Denmark. Studied at the Royal Academy, Copenhagen.

28. A BLIND WOMAN.

B y ANNA ANCHER. C a n v a s 23 x 18 inches.

P a in te d 1883. L e n t b y HEINRICH HIRSCH

SPRUNG, ESQ.

2 9 .

SUMMER EVENING A T THE SKAW.

B y p. S. KROYER. 5 2 i X 73 inches, b y HEINRICH HIRSCHSPRUNG, ESQ.

L en t

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CH RIST AND TH E PHARISEES.

B y A X EL T. H E L S T E D . 3 9 x 4 8 inches. L en t f r o m the N A T IO N A L G A LLER Y , C O P E N H A G E N .

Axel Theofilus Helsted, born at Copenhagen,

1 8 4 7 > died, 1 9 0 7. Studied at the R oyal Academy, Copenhagen.

3 1 .

LANDSCAPE.

B y V IG G O JO H A N S E N . 3 2 x 3 7 inches. L ent b y T H E A R T IS T .

3 2 .

T H E F A L LE N TREE.

B y T H O R V A L D N I S S . 6 4 x 9 3 inches. L en t b y G E H E IM E E T A T S R A A D I S G L U C K S T A D T .

Thorvald Simeon Nis s, born at Assens, D en

mark, 1 8 4 2; died, 1 9 0 4. Studied at the Royal Academy, Copenhagen, and under Otto Bache.

33-

w i l l

IT W E A T H E R TH E POINT?

B y M IC H A E L A N C H E R . C a n va s 4 4 x 5 5 inches.

L e n t b y the E X E C U T O R S O F H .M . T H E LA TE K I N G C H R IS T IA N O F D E N M A R K .

Michael Peter Ancher, living painter, born at Bornholm. Studied at the Royal Academy, Copen

hagen.

G A LLER Y I. 31

34-

s e a

PIECE, HORNBÆK.

B y CA RL L O C H E R . 2 4 x 3 7 inches. L e n t b y E R I K H E N N IN G S E N , E S Q .

Professor Carl Ludwig T . Locher, living pain

ter, was born at Flensberg, Sleswig, and studied at the Royal Academy, Copenhagen, and under M. Léon Bonnat, in Paris.

35-

A F T E R RAIN.

B y G O D F R E D C H R IS T E N S E N . 5 0 x 7 5 inches.

L e n t fr o m the N A T IO N A L G A LLERY , C O P E N H A G E N .

Polycarpus Godfred Benjamin W . Christen

sen, living painter, born at Copenhagen. Studied at the Royal Academy, Copenhagen.

36 -

T H E C H IL D R E N ’S “ GOOD

N I G H T ” TO T H E STARS.

B y V. IR M IN G E R . 3 5 x 3 0 inches. L en t f r o m the N A T IO N A L G A LLER Y , C O P E N H A G E N .

37-

h e a d

OF A SPANISH GIRL.

B y P. S. K R O Y E R . 2 0 x 1 7 inches. L e n t b y B E R N H A R D H IR S C H S P R U N G , E SQ .

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32 GALLERY I.

3 8 .

W I N T E R EVENING IN A DANISH BAY.

B y WILHELM KYHN. 48 x 72 inches. L en t f r o m the NATIONAL GALLERY, COPENHAGEN.

Peter Wilhelm Carl Kyhn, born at Copenhagen,

1 8 1 9; died, 1 9 0 1. Studied at the Royal Academy, Copenhagen.

39-

CAPE NORTH, ICELAND.

B y c. BLACHE. 42 x 72 inches. P a in te d 1884. L e n t b y the CORPORATION OF NOTTINGHAM.

Christian Blache, living painter, born at Copen

hagen. Studied at the R oyal Academy, Copenhagen.

4 0 .

A W H IT E GALE.

B y LAURITZ HOLST. 1 5 x 24 inches. L e n t b y THE ARTIST.

Lauritz Bernhard Holst, living painter, born at Bogense, Denmark. Studied at Copenhagen.

4 1 -

HORSES ON SALTHOLMEN.

B y THEODOR PHILIPSEN. ^{2 2} x 2 4 inches. L en t b y OTTO BENZON, ESQ.

GALLERY I. 33

4 2 .

EVENING ON T H E BALCONY.

B y CARL BLOCH. 5 8 x 7 5 inches. L e n t b y COUNT BROCKENHUS.

43 •

ROCKS AND SEA, CATALAN.

B y LAURITZ HOLST. 1 5 x 2 4 inches. L e n t b y THE ARTIST.

44-

TWO CALVES.

B y THEODOR PHILIPSEN. ^{2 2} x 2 2 inches.

L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

45-

A W H A L E R LEAVING G R E E N LAND IN A DISPERSING S EA FOG.

B y CARL RASMUSSEN. 3 6 x 6 1 inches. P a in te d

1 8 7 5. L e n t b y EDWARD HAWES, ESQ.

rT " H E

w h ales sh ow n in the fo r e g r o u n d are k n o w n to sa ilors as “ fin -b a ck s ” ; th ey are n o w ca p tu red b y steam ers, w ith h a rp o o n g u n s a n d e x p lo siv e s, bu t w ere to o stro n g a n d active to b e ca u g h t b y the o l d m e th o d s o f w h a lin g , a n d fre q u e n tly sp o rte d ro u n d a n d a cco m p a n ie d sa ilin g vessels.

J. A. Carl Rasmussen, living painter, was born at Aeroskjobing, Isle o f Aero, and studied under

Tohn Didrik Frisch.

(23)

.\v,‘

34 GALLERY I.

46. T H E PARABLE OF T H E TEN VIRGINS.

B y J. G. F. SCHWARZ. 7 2 x 2 3 5 inches. L en t fr o m TH E CHURCH OF TH E HOSPITAL FOR AGED WOMEN A T COPENHAGEN.

Johan Georg Frantz Schwarz, living painter, was born at Copenhagen, and studied at the Royal Academy, Copenhagen.

47*

OFF T H E FAROES.

By C. F. SORENSEN. 63 x 88 inches. Lent by the REPRESENTATIVES OF THE LATE KING CHRISTIAN OF DENMARK.

Carl Frederik Sorensen, born at Samso, D en

mark, 1 8 1 8; died, 1 8 7 9. Studied at the Royal Academy, Copenhagen.

PORTRAIT OF A YOUNG CHILD.

B y P. S. KROYER. 4 4 x 3 3 inches. L e n t b y CARL MELCHIOR, ESQ.

ERECHTEUM,

ON TH E ACROPOLIS.

By JOAKIM SKOVGAARD. 11 y2 x 24 inches. Lent

b y WILHELM HANSEN, ESQ.

LA NDSC AP E — EVENING.

By V IG G O P E D E R S E N . 2 7 x 3 1 inches. Lent

f r o m the N A T IO N A L G A LLER Y , C O P E N H A G E N .

Viggo Christian F . W . Pedersen, living painter, born at Copenhagen. Studied at the R oyal Academy, Copenhagen.

GIRLS BRINGING HOME T H E CORN.

By JOAKIM SKOVGAARD. 17 x 17^ inches.

Lent b y JULIUS PAULSEN, ESQ.

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36 GALLERY II.

5 2-

HORSES ON AN ISLAND, NEAR COPENHAGEN.

B y THEODOR PHILIPSEN. 1 6 x 2 0 inches.

L e n t b y GUSTAV PHILIPSEN, ESQ.

53-

T H E HORNBÆK S M I T H Y - STUDY.

B y P. S. KROYER. i i x 1 4X inches. L en t fr o m the NATIONAL GALLERY, COPENHAGEN.

54-

c a l v e s

IN A MEADOW.

B y THEODOR PHILIPSEN. 2 1 ^ x 15 inches.

L e n t b y WILHELM HANSEN, ESQ.

55-

A LAN D SCAP E — BJORNSHOVED OG HVIDE KLUIT.

B y J. T. l u n d b y e. 2 3 x 3 8 inches. L e n t b y GUSTAV SALOMONSEN, ESQ.

Johan Thomas Lundbye, born at Kalliindborg, Denmark, 1 8 1 8; died, 1 8 4 8. Studied under P. C.

Skoogaard, Lorens Frolich, and J. A. Jerichati, the sculptor.

.“"■■-'je-

»'""jiMiSiBi

■»P—---

GALLERY II. 37

5 6 .

LANDSCAPE, IN SWEDEN.

B y JOAKIM SKOVGAARD. 1 8 x 2 8 inches. L en t b y OSCAR WANDEL.

57-

T H E ANO INTING OF QUEEN AL EXA ND RA , AT T H E CORONATION OF KING E DWAR D VII.

B y PROFESSOR LAURITZ TUXEN. 5 0 x J2 inches. L e n t b y H.M. THE QUEEN ALEXANDRA.

5 8 .

WOODLAND SCENE A T JAEGERSPRIS.

B y P. C. SKOVGAARD. 5 0 x 7 5 inches. L en t fr o m the NATIONAL GALLERY, COPENHAGEN.

Professor Peter Christian Skovgaard, born at Hammerhus, Ringsted, Denmark, 1 8 1 7 ; died, 1 8 7 5. Studied at the Royal Academy, Copenhagen.

59-

MOUNTAINOUS LANDSCAPE, ITALY.

B y CHRISTIAN ZACHO. 2 7 x 4 1 inches. L en t b y MISS TRESCHOW.

Professor Peter Morch Christian Zacho, living painter, was born at Peerstrup, Grenaa, D en

mark, and studied at the Royal Academy, Copen

hagen, and under Janus la Cour and others.

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38 GALLERY II.

6o.

IN T H E NEIGHBOURHOOD OF CIVITÄ D’ANTINO.

By CHRISTIAN ZAHRTMANN. 21 X 23 inches.

Lent by EDOUARD REE, ESQ.

Peter Henrik Christian Zahrtmann, living painter, was born at Rönne, Bornholm, Denmark, and studied at the R oyal Academy, Copenhagen.

6l .

LANDSCAPE AND HORSES.

By OTTO BACHE. Canvas 1 2 ^ x g]/2 inches.

Lent by HEINRICH HIRSCHSPRUNG, ESQ.

TH R E E HORSES A T A WATER- TROUGH.

By THEODOR PHILIPSEN. 1 0^ x

\\]/2

inches.

Lent by HEINRICH HIRSCHSPRUNG, ESQ.

6 3 -

A FISHERMAN— A STUDY.

By P. S. KROYER. 8

]/2

x i i inches. Lent fr o m the NATIONAL GALLERY, COPENHAGEN.

Peter Severin Krôyer, living painter, was born at Stavanger, Norway. Studied at the Royal Academy, Copenhagen, and under M. Léon Bonnat, in Paris.

GALLERY II.

39

64. WINTER.

By H. A. BRENDEKILDE. 28 x 37 inches. Lent by OSCAR WANDEL, ESQ.

Hans A. Brendekilde, living painter, born at Brendekilde, Denmark. Studied at the Royal Academy, Copenhagen.

6 5-

A DANISH FAMILY.

By M. t h e r k i l d s e n. 15 x 20 inches. Lent fr o m the NATIONAL GALLERY, COPENHAGEN.

66 .

COUNT S. RABEN LE V E T Z A U WHEN A BOY.

By P. s. KROYER. 52 x 28 inches. Lent by

H.E. THE COUNT RABEN LEVETZAU.

67-

l a n d s c a p e

, IN T H E NEIGH

BOURHOOD OF COPENHAGEN.

By WILHELM KYHN. 9 x 13 inches. Lent by JULIUS HERTZ, ESQ.

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40 GALLERY II.

68 .

C H A R L O T T E BIEHL, TH E W R IT ER OF SCANDALS.

B y CHRISTIAN ZAHRTMANN. 28 X 22 in ch es.

L e n t b y g u s t a v p h i l i p s e n, e s q.

C' 1 H A R L O T T E D o r o th e a B ieh l, D a n ish au th o-

^ ress, w as b orn at C op en h a g en , 1 7 3 1, an d d ie d there in 1 78 8. F r o m her earliest years she sh o w e d e x tra o rd in a ry ta len t a n d c o m p le te ly m astered m o st o f the E u ro p e a n la n gu a ges. S h e w a s g r e a tly a d d ic te d to tu rn in g in to literary fo r m a n d p u b lish in g w h atever sca n d a ls cam e under her n otice, a n d in the picture she is're p re - sented in the act o f d is c o v e rin g m aterial fo r a fresh effort o n her part in th at d irection .

69. LANDSCAPE, WITH MILL.

B y JULIUS PAULSEN. 14 x 20 inches. L e n t b y P. A. WEIS, ESQ.

70. A BUL L CALF.

B y M. THERKILDSEN. ^{1 8} x ^{2 4} inches. L e n t f r o m th e NATIONAL GALLERY, COPENHAGEN.

Hans Michael Therkildsen, living painter, was born at Lystrup, Horsens, Denmark, and studied at the R oyal Academy, Copenhagen.

7 1-

GIRLS CARRYING LIME.

B y CHRISTIAN ZAHRTMANN. 21 X 24 inches.

GALLERY II. 41

7 2 .

T H E CORONATION OF HIS MAJESTY T H E TSAR, NICHOLAS II, OF RUSSIA.

B y PROFESSOR LAURITZ TUXEN. 7 1 x 5 6

inches. L e n t b y H.M. THE CZAR OF RUSSIA.

M I C H O L A S II b o rn at St. P etersburg, 1 8 6 8,

^ w as the son o f A le x a n d e r III, w h om he su cceed ed in 1 8 9 4, in w h ich year he m ar

ried P rincess A l i x o f H esse, a g r a n d d a u g h ter o f Q u een V icto ria . H is C o r o n a tio n as C zar t o o k p la ce o n 2 6th M a y, 1 8 9 6, a n d the cerem on y w as a tten d ed b y 2 8 fo r e ig n Princes, 3 4 9 o f the h ig h e st n o b ility , 3 1 4 M a y ors, w ith their assis

tants, a n d 8 0 0 d e le g a te s fr o m the R u ssian peasantry.

73-

SEA PIECE.

B y C. F. SORENSEN. 1 7^ x 2 6 inches. L en t f r o m the CARLSBERG GLYPTOTEK.

74-

h i g h

WATER.

B y THEODOR PHILIPSEN. 2 2y2 x 2 2j^ inches.

75-

s t u d y

FROM HERLUFSHOLM.

B y GODFRED CHRISTENSEN. 2 5 x 2 1 inches.

L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

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BSäÄü

GALLERY IL

B y N. P. MOLS. 14 x 20 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

Niels Petersen Mols, living painter, was born at Grumstrup, Denmark. Studied at the Royal Academy, Copenhagen.

AGNUS DEI.

BARON inches.

ARILD ROSENKRANTZ.

L e n t b y THE ARTIST.

6 9

Baron Arild Rosenkrantzwas born at Frederiks- borg, Denmark, and studied in Paris under Jean Paul Laurens and Benjamin Constant.

78. MOONRISE.

B y VIGGO JOHANSEN. 3 1 x 4 7 inches. L en t b y WILHELM HANSEN, ESQ.

79-

s u m m e r

NIGHT.

B y JULIUS PAULSEN. 2 4 x 2 9 inches. L e n t b y KARL MADSEN, ESQ.

GALLERY II. 43

S O .

T H E COMMITTEE OF FRENCH A R T IS T S FOR T H E

EXHIBITION IN

COPENHAGEN IN 1888.

B y P. S. KROYER. ^{5 7} x 88 inches. L e n t f r o m the CARLSBERG GLYPTOTEK, COPEN

HAGEN.

8l.

LANDSCAPE IN SWEDEN.

By VIGGO JOHANSEN. 33 x 62 inches. Lent

b y THE ARTIST.

8 2 .

OLD HOUSES A T T H E SKAW.

B y VIGGO JOHANSEN. 25 x 5 0 inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

83-

RO AD W AY IN T H E ROYAL D E ER PARK.

By THEODOR PHILIPSEN. 4 7 x 69 inches.

Lent f r o m the NATIONAL GALLERY, COPEN

HAGEN.

Theodor Esbern Philipsen, living painter, was born at Copenhagen. Studied at the R oyal Academy, Copenhagen.

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T H E D E ATH OF QUEEN SOPHIA AMELIA.

B y CHRISTIAN ZAHRTMANN. 3 6 X ^{3 4} inches.

8 5 .

T H E STR AN D A T T I D S V I L D E — CLO U D Y WEATHER.

B y JOAKIM SKOVGAARD. 1 5 1^ X 221/2 inches.

HAGEN.

Joakim Frederik Skovgaard, living painter, was born at Copenhagen, and studied at the Royal Academy, Copenhagen, and under M. Léon Bonnat, in Paris.

86 .

T H E SMITH Y A T HORNBECK.

B y P. S. KROYER. 3 6 x 4 7 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

87-

EVENING A T NIVAA.

B y ALBERT GOTTSCHALK. 2 0 x 2 7 inches. L en t b y MRS. LEA GOTTSCHALK.

I

!

45

' : . y.:-: : '

GALLERY II.

T H E A V E N U E NEAR KROGERUP.

B y GODFRED CHRISTENSEN. 5 5 x 7 4 inches.

HAGEN.

89. MUSIC IN T H E STUDY.

B y P. s. KROYER. 3 6 x 4 1 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

9 0 .

TH E W A Y BEHIND T H E TOWN.

B y ALBERT GOTTSCHALK. 2 0 x 2 4 inches. L e n t b y MR. MARTIN GOTTSCHALK.

9 1 .

TH E TWO BROTHERS.

B y AXEL T. HELSTED. 3 9 x 2 5 inches. L en t b y MRS. RAEDER.

9 2 .

LANDSCAPE, NEAR AABENRAA.

B y P. C. SKOVGAARD. 1 5 x 2 3 inches. L e n t b y JULIUS HERTZ, ESQ.

B

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GALLERY III.

¡*5

93

^-

T H E ANNUNCIATION.

B y BARON ARILD ROSENKRANTZ. 21 x 16 inches.

W a te r-co lo u r. L en t b y THE ARTIST.

94

^-

PORTRAIT OF T H E POET SCHANDORPH.

B y P. S. KROYER, 1 7 x 3 0 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

95

^-

s t u d y

OF SIX SAILORS.

B y P. s. KROYER. 1 2 x 1 4 inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

9 6 .

S T U D Y OF AN OLD MAN.

B y P. S. KROYER. W a te r-co lo u r. 11 x 10 inches.

97

^-

p o r t r a i t

OF TH E DANISH POET, HOLGER DRACH- MANN.

B y P. S. KROYER. 1 7 x 1 2^ inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

GALLERY III. _{4 7}

S T U D Y — TH R E E MEN IN A BOAT.

B y P. S. KROYER. 9 x 1 5 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

9 9 .

T H E POET.

B y P. A. SCHOU. C ra yon . 1 6 x 2 1 inches. L en t b y EINER SCHOU, ESQ.

I O O .

CASE OF MINIATURES.

B y J. W. VON REHLING QUISTGAARD.

I. M iss H e le n C a stello.

II. W . G ran t C. M a d ill, E sq.

III. M rs. C la ra H u n ter S tanton.

IV . Jam es B. H a g g in , E sq.

V . Mrs. W illia m A s to r Chanler.

V I . M rs. F re d e rick G. C orn in g .

V I I . M aster Jam es P a u ld in g F a rn h a m a n d his sister, M iss Julia.

V I I I . Mrs. Jam es B. H a g g in . I X . M iss C la ra H y a tt.

X . M aster C harles C rocker.

L e n t b y THE ARTIST.

B 2

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48

GALLERY III.

I O I .

S U N S E T A T SEA.

By VIGGO PEDERSEN. 13 x 17 inches. Lent

f r o m WINKEL MAGNUSSEN, COPENHAGEN.

1 0 2 .

FISHERWOMAN FROM SKAGEN.

B y ANNA ANCHER. C a n v a s 10 x 7 inches.

L e n t b y GUSTAV PHILIPSEN, ESQ.

Anna Kirztine Ancher, living painter, born at Skagen. Studied under W ilhelm Kyhn.

1 03 .

PORTRAIT OF

BJORNSTJERNE BJORNSON.

B y P. S. KROYER. ^{1 8} x 1 4 inches. L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

1 04 .

S T U D Y OF FISHERMEN.

GALLERY III. 4 9

1 0 5 .

S T U D Y OF SAILORS AND WOMEN.

I06.

S T U D Y OF A WOMAN.

B y J. G. F. SCHWARZ. 16 )4 x I2_J¿ inches. L e n t b y THE ARTIST.

107. S T U D Y OF A HEAD.

B y P . A. SCHOU. C ra yon . 16 x 21 inches. L en t b y EINER SCHOU, ESQ.

108. LA BE L LE DAME SANS MERCI.

By BARON ARILD ROSENKRANTZ. 21 X 15 in ch es. W a t e r -c o lo u r . L e n t b y THE ARTIST.

IO9.

S K E T C H PORTRAIT OF QUEEN VICTORIA.

By PROFESSOR LAURITZ TUXEN. 16 X 12 inches. Lent by HEINRICH HIRSCHSPRUNG, ESQ.

(31)

B y WILHELM HAMMERSHOI. 20 X 26 inches.

L e n t b y EMIL HJORTH, ESQ.

1 r 3 ’

T H E WEDDING TRIP.

B y V. IRMINGER. 1 1^ x 9yA inches. L en t b y PROFESSOR TUXEN.

1 14.

INTERIOR.

B y CARL HOLSOE. 2 5 x 2 8 inches. L e n t fr o m the NATIONAL GALLERY, COPENHAGEN.

GALLERY III. 51

1 15 -

T H E BEDROOM.

B y JULIUS PAULSEN. i6± x 15 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

I l6.

TH E SHOEMAKER.

B y L. A. RING. 1 8 x 2 3 inches. L e n t b y JULIUS HERTZ, ESQ.

1 1 7 .

NIGHT.

B y JULIUS PAULSEN. 1 2 x i o ^ inches. L e n t b y DR. BRAMSEN.

1 1 8 .

INTERIOR.

B y CARL HOLSOE. 2o| x 18 inches. L e n t fr o m the NATIONAL GALLERY, COPENHAGEN.

Carl Vilhelm Holsoe, living painter, born at Aarhus, Denmark. Studied at the R oyal Academy, Copenhagen, and under P. S. Kroyer.

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52 GALLERY III.

I i g .

SNOW-CLAD MOUNTAIN TOPS.

B y JORGEN SONNE. 1 0 ]/2 x 1 5 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

Joegen Valentine Sonne, born at Birkerod, D en

mark, 1 8 0 1; died, 1 8 9 0. Studied at the Royal Academy, Copenhagen, and under Peter von C or

nelius, at Munich, and Horace Vernet, in Rome.

1 2 0

.

OLD FOLKS.

B y CARL BLOCH. 2\]/2 x i6j^ inches. L e n t b y HEINRICH HIRSCHSPRUNG*, ESQ.

Carl Heinrich Bloch, born at Copenhagen,

1 8 3 4; died, 1 8 9 0. Studied at the Royal Academy, Copenhagen.

I 2 I .

T H E VISIT TO TH E OLD SERVANT.

B y JOHAN F. N. VERMEHREN. 24 x 18 inches.

HAGEN.

Professor Johan Frederik Nicolai Vermeh-

ren, living painter, was born at Ringsted, Denmark, and studied at the Royal Academy, Copenhagen.

1 2 2 .

TH E REPAST.

B y VIGGO JOHANSEN. 1 9 x 1 7 inches. L e n t b y HEINRICH HIRSCHSPRUNG, ESQ.

GALLERY III. 53

1 2 3 .

CHILDREN BRINGING FOOD TO TH E WORKMAN IN TH E FOREST.

B y JOAKIM SKOVGAARD. 12^ X 1 4 ^ inches.

1 2 4 ,

A SUNBEAM IN CH RIST IA N SAND.

B y WILHELM HAMMERSHOL 2 9 x 2 3 inches.

L e n t b y DR. BRAMSEN.

125. A GIRL SEWING.

B y WILHELM HAMMERSHOI. 1 4 ^ X 1 3 ^ inches.

126. H A M L E T ’S C A S T L E A T KRONBORG.

B y WILHELM HAMMERSHOI. 3 3 x 3 4 inches.

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54 GALLERY III.

1 2 7 .

DUST AND T H E SUNBEAM.

128. TH E OPEN DOORS.

129. RAINY W EAT H ER.

B y WILHELM HAMMERSHOI. J J X 24< inches.

130. TH E ASIATIC COMPANY IN COPENHAGEN.

B y WILHELM HAMMERSHOI. ^{6 2} x 6 3 inches.

I 3 I -

RESTING.

B y WILHELM HAMMERSHOI. 1 9^ x 18 inches.

132. TH E WRITING TABLE.

B y WILHELM HAMMERSHOI. ^{1 8} x i q inches.

I 33*

T H E CHURCH OF ST. STEPHEN, OTTONDA.

x34-

T H E DANISH PUNCHBOWL.

Wilhelm Hammershoi, living painter, born in Copenhagen. Studied at the Royal Academy, Copen

hagen, and under P. S. Kroyer.

I 35*

T H E RED ROOM, RA H BE KS AVENUE.

P a in ted 1 8 9 7. L e n t b y HEINRICH HIRSCH

SPRUNG, ESQ.

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56 GALLERY III.

I 3 6 .

A L A D Y A T T H E PIANOFORTE.

B y WILHELM HAMMERSHOI. 2 4 X 2 0 inches.

x3 7-

LANDSCAPE, SUMMER.

138. L’IMMENSITÉ.

139-

PORTRAIT OF A YOUNG GIRL.

B y WILHELM HAMMERSHOI. 4 3 X 3 4 inches.

L en t b y HEINRICH HIRSCHSPRUNG, ESQ.

GALLERY III. 57

r 39A-

MOTHER AND CHILD.

B y JULIUS PAULSEN. 3 0 x 2 5 inches. L e n t b y GUSTAV PHILIPSEN, ESQ.

1 4 0 .

WANDERING SUNBEAMS.

141. T H E AVENUE.

B y WILHELM HAMMERSHOI. 16 x 21 inches.

142. A GIRL IN A KITCHEN.

B y ANNA ANCHER. C a n va s 3 3 x 2 7 inches.

P a in te d 1 8 8 6. L e n t b y HEINRICH HIRSCH

SPRUNG, ESQ.

143-

COAST SCENE FROM SKAGEN.

B y WILHELM KYHN. i2 \ x 1 7 inches.

Lent

b y DR. BRAMSEN,

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58 GALLERY III.

1 4 4 .

CLO U D Y W E ATH E R.

B y F. SYBERG. 2 7 x 3 4 inches. L e n t b y WILHELM HANSEN, ESQ.

Christian Fritz Vilhelm Syberg, living painter, was born at F aaborg, Denmark, and studied under M. Christian Zahrtmann.

145

^-

LANDSCAPE, GLOSTRUP.

B y ALBERT GOTTSCHALK. 1 8 x 26 inches. L e n t b y KARL MADSEN, ESQ.

T H E GRA N DM OT H ER’S BIRTHDAY.

B y VIGGO JOHANSEN. 3 2 x 3 7 inches. L e n t b y WILHELM HANSEN, ESQ.

147

^-

SORROW.

B y P. A. SCHOU. 1 6 x 3 1 inches. L e n t b y THE ARTIST.

GALLERY III. 59

148. AUTUMN DAY IN A DEER FOREST.

B y THEODOR PHILIP SEN. 2 5 x 3 4 inches. L en t b y OSCAR WANDEL, ESQ.

149

^-

SHADOWS.

B y THEODOR PHILIPSEN. 1 8 x 2 6 inches. L e n t b y WILHELM HANSEN, ESQ.

15

^{° .}

A NYMPH.

B y JULIUS PAULSEN. 2 7 x 2 0 inches. L e n t fr o m th e ART SOCIETY, COPENHAGEN.

151

^-

LANDSCAPE, BASTAD.

B y AUGUST JERNDORFF. 1 2 X 1 8 inches.

P a in ted 1 8 9 4. L e n t b y HEINRICH HIRSCH

SPRUNG, ESQ.

Professor August Andreas Jerndorff, born at Oldenburg, in Oldenburg, in 1 8 4 6; died, 1 9 0 6. Studied at the Royal Academy, Copenhagen.

Danmarks Kunstbibliotek The Danish National Art Library

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