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Aarhus School of Architecture // Design School Kolding // Royal Danish Academy
Statistic><Ceramics Hansen, Flemming Tvede
Publication date:
2008
Document Version:
Publisher's PDF, also known as Version of record
Link to publication
Citation for pulished version (APA):
Hansen, F. T. (2008). Statistic><Ceramics.
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Theme Name
Artistic idiom
ISBN 978-87-990862-1-4 Best before: 2009 08 25
Favourite colour
Gloss (degree)
An average NDC’er
newda nishce ramics newd anish ceramics newdan ishc eramics new dani shceramics newdanishce ra mics ne wish danceramics newics dancer amish newish dance ramics dance newramics ish newce danish ramics danew mics ceranish newmics dacera nish ceradan newish mics ceranew dan micsish micsnew danish cera
new dancera ishmics new ceranish damics new damics nishcera new cerada micsnish new nishda ramicsce nishnew dacer amics cenew nish daramics dan new ceramicsish dan ishnew ceramics danish cera newmics danish new micscera new da micsceranish new daranish cemics ranew danish cemics new ranish cedamics new danish ceramics - scimarec hsinad wen
55% brilliant
42 years old 100% lucky
88% innovative
55% hard-working
22% homosexual
1.735 m tall
shoe size 40.27
went to the hairdresser 2.33 years ago 55.5% blue-eyed 77.7% coffee-drinker
84% ceramist 77.7% non-smoker
92% self-centred
55% female
0% football player
64 kg EE
EE EE EE EE EE
EE N
E N
E N
E N
E N S
E N S
E N S T
E N S T
E N R S T
E N R S T
E N R S T
A E G I N R S T
A E G I L M N R S T
A D E G H I L M N O P R S T
A B D E G H I J L M N O P R S T Ø
A B D E G H I J K L M N O P R S T U V Ø A B C D E F G H I J K L M N O P R S T U V Ø
Worth knowing
77.78% live in a one-to-one relationship. Of these, 100% with a partner who has a related occupation 55.56 % have lived with the same partner for 16/17 years and have 2 children
66.67% prepare food 3 or less times a week 66.67% spend 35 mins. or less cooking an evening meal 66.67% spend 30 mins. or less eating an evening meal
50% occasionally row with their partner about spending too much time on ceramics 11.11% give the family higher priority than their work
EE EE EE EE EE EE
EE N
E N
E N
E N
E N S
E N S
E N S T
E N S T
E N R S T
E N R S T
E N R S T
A E G I N R S T
A E G I L M N R S T
A D E G H I L M N O P R S T
A B D E G H I J L M N O P R S T Ø
A B D E G H I J K L M N O P R S T U V Ø A B C D E F G H I J K L M N O P R S T U V Ø A N N E T O P H Ø J B E N T E S K J Ø T T G A A R D F L E M M I N G T V E D E H A N S E N G I T T E J U N G E R S E N L O N E S K O V M A D S E N M I C H A E L G E E R T S E N M O R T E N L Ø B N E R E S P E R S E N S T E E N I P S E N T U R I H E I S S E L B E R G P E D E R S E N
Not supported
Supported 1st and 2nd exhibition Supported 1st exhibition Both 1st and 2nd exhibition
Distribution of how many funds
NDC has applied to: Distribution of number of funds applied to who have:
Overview of grants
Received by NDC’s members 1990–2007
Overview of prizes
Received by NDC’s members 1990–2007
Number of days from sending the grant application to receiving a reply
Letter confi rming the receipt of the application Non-acceptance
Acceptance Average
Negative Result of all grant applications:
Average amount (DKK) received per sent application in connection with NDC´s 1st and 2nd exhibition 14.000
12.000 10.000 8.000 6.000 4.000 2.000
2004 2008
Non-acceptance takes on average 41.7 days.
Acceptance takes on average 76.3 days.
28% of applications for grants received a positive reply.
Waiting pays off!
34% of funds applied to have pledged assistance NDC has exhibited as a group twice.
The fi rst time was at the Danish Museum of Art & Design in Copenhagen in 2004 Freiraum, Museum
für K unst und Ge
werbe, H ambu
rg, 3.4 - 27.4
2008
St ati sti cs >< Ce ram ics
The catalogue and exhibition have been genero
usly supp orted b
y: D anish
Cra fts, A
ugus
tinusfonden,
© NDC 2008
Danmarks Nationalbanks Jubilæumsfon
d af 1968, L .F.Fog
hts F ond, Th
e Dan ish Arts Foundati
lle, Eon
g K n o d D nu off L alh ns F arse ond www.newdanishceramics.dk
The Röhss Museum of D esign
and De corative
Arts, G othen
burg, 5 .2. - 16
.3.2 008 This catalogue was produced in connection wit
h the e xhibitio
n Stati stics >
< C eram
ics We would also like to thank Frim
odt H eineke Fonden
and T he N
ation
al Workshops f
Art or nd s a raft C s
tisti Sta cs: N anis ew D ram h Ce ics nsla Tra n: J tio ohn ns Iro tos Pho ort : D rog e K h
phic Gra ign des asm : R cka us E E rdt biti xhi arc on cts hite ryd : K m sru
ted Prin Plæ by:
rafi hn G sk ion Edit 000 : 1 w Ne
an D
ish
raCe
icm s:
ne An op T
j +hø
245
4276
972
nt Be Sk e
jøttg
rdaa
+*
ww.skj9 w418902 345
oettgaard.dk
em Fl
inm
Tv g e ed anH
sen
8669528 245+
www.fl emmingtvede.dk
tte Gi un J
rsge
+en
ww.g6 wittejun20ge52rs86en 2.dk45
ne Lo ko S M v sead
+n
45 22889455
ichM
l Gae
rtsee
* en
31 113 345+
74 www.drud-koppe.com
or M n te bnLø
+45n*seersp Eer
29 93 75 60 www.espersen.nu
ee St
Ipn
n*se
+45 51275458 www.steen-ipsen.dk
R *
reep
nse ted at drud & køp
peg allery, Cope
nhagen
ri Tu eiH elss
seern +ed P45rg 3be1103012 www.turiheisselberg.dk
Flemmi ng
Tved e Han ojer psed.n’sPh
tc
002 00 6-2 ha9 b s en e nan fi d ce b y : G ldu e ag a rga Skæ rd, k ls rø D - m an ksar
kole, nsigesD
Cope
nha gen
Da nish M
useu ,migns oefADrt and
opC a enh eg Th n - Da e C nish ent r e f D or n R esig e es c ar ,h o C ep hn
enag
ISBN 978-87-990862-1-4 Printed in Denmark, 2008
Working life
Research/inspiration (e.g.in the woods, on the Internet, the library, exhibitions, seminars, abroad, etc.) Developing ideas (when you draw sketches with your finger in the air, on the back of a railway ticket, sketch in clay - fired as well as unfired, etc.)
Creating works (construction, throwing, casting, glazing, firing, etc. with the final result in view)
Packaging and transportation of works to exhibitions/
customers (own works) Mounting of exhibition (own works)
Production of PR material (catalogues, etc., own) Contact with customers (creating new or maintaining existing contacts, sending out invitations, visitors at workshop, private viewings, travel, etc.) Contact with galleries (creating new or maintaining existing contacts, on the Internet, travel, private viewings, etc.)
Contact with producers (creating new or maintaining existing contacts, on the Internet, fairs, etc.) Contact with colleagues (creating new or maintaining existing contacts, coffee parties, private viewings, etc.) Accounts (invoicing, bookkeeping, VAT and annual accounts, etc.)
Applications for grants and funding (applications for financing, myself and my business)
Cleaning (daily and housecleaning) Breaks (pure relaxation, at the mercy of coffee) Instruction
Lecturing
Curatory and examining activities Running of gallery
Work in other group contexts (other artist relations, joint exhibitions)
Committee work (diverse councils and committees) Research (PhD)
Other straight contract work Work to do with NDC
Steen Gitte Bente Anne Turi Michael Morten Lone Flemming
What level of priority do you give to...
(Group assessment)
Turi Anne Morten Lone Steen Flemming Michael Gitte
Bente Form
Working up
Texture
Surface impression
Material Colour
Concept
Decoration
What is the main reason for your continuing to do ceramics?
Artistic idealism
I believe it will make me rich and famous Boundless naivety
I just can’t stop myself
On a scale of 1-10
(Where 10 means highest priority) A M L G F B T MG S Average
How important a factor are ceramic skills/ technical professional knowledge for the coming into being and appearance of your works?
10 10 10 9 6 5 10 10 10 8.9
To what extent is the spatial organisation/
mounting/hanging of your works part of their coming into being? (i.e. to what extent are such considerations there from the outset?)
10 5 10 8 2 2 9 8 5 6.6
To what extent do you see your works as a medium for creating a narrative/ conveying a message, an ideology?
10 5 8 10 8 7 7 8 10 8.1
To what extent do you make use of the archetypes of the field of ceramics, such as the jar, bowl, dish, vessel in your work as a ceramist? (directly as well as by reference)
10 10 10 0 3 3 10 10 0 6.2
To what extent do you give priority to the aesthetic/
decorative expression of your works? 5 10 9 10 3 5 9 10 10 7.8
A) To what degree are your works ‘VESSEL’
based on your immediate relation to the concept ‘VESSEL’?
B) To what degree are your works ‘DANISH’
based on your immediate relation to the concept ‘DANISHNESS’?
Degree of ‘DANISHNESS’
Degree of ‘VESSEL’
The majority of NDC´s members consider their works as a medium for creating a narrative/
conveying a message, an ideology 5 out of 9 members have the spatial
positioning/organisation/hanging as considerations from the outset
Anne Tophøj
Normal Distribution
Occurrence of chance and variation in industrial ceramic production 2007
H: 2.5 cm, Ø: approx. 22 cm per unit Weight: Approx. 328 g per unit
China clay, nepheline syenite, silicia oxide, molochite, deflocculant, petalite, whiting, zinc oxide, rutil
Fired to: 940°C, 1260°C
Bente Skjøttgaard
Timberline
Nos. 0739, 0740 and 0738 2007
H: 73 cm, W: 35 cm, D: 24 cm * Weight: 10 kg *
Stoneware 1183, petalite, china clay, zirconium silicate Fired to: 1000°C, 1280°C
*
Disruption
2007
H: 17 cm, W: 40 cm, D: 45 cm Weight: 2730 g
China clay, nepheline syenite, silicia oxide Fired to: 1000°C, 1260°C
Flemming Tvede Hansen
Gitte Jungersen
Place for Desires
2007
H: 11 cm, W: 37 cm, D: 31 cm Weight: 3120 g
Stoneware 1183, stoneware KM 0.5/45%, glaze no. 1001, nepheline syenite, ball clay 3, silica oxide, sodium carbonate, china clay E, whiting, lithium carbonate, tin oxide, pink stain 44/1, plastic ready-made Fired to: 950°C, 1270°C
Lone Skov Madsen
White Objects
Nos. 15 +16 2007
H: 38 cm, W: 16 cm, D: 21 cm * Weight: 2.5 kg *
Stoneware 1110 , potash feldspar, dolomite, whiting, china clay Fired to: 1000°C, 1260°C
*
Michael Geertsen
Untitled
2007
H: 42 cm, W: 35 cm, D: 11 cm Weight: 3 kg
WBB Vingerling K112, earthenware glaze 1976 Fired to: 1000°C, 1040°C, 1040°C
Morten Løbner Espersen
#1432
2007
H: 18.5 cm, W: 25 cm, D: 25 cm Weight: 3.33 kg
T-material, nepheline syenite, soda feldspar , china clay, zinc oxide, talc, bentonite, petalite, potash feldspar, lithium carbonate, titanium oxide, silica oxide, calcium borate, colemanite, flint, chromic oxide, tin oxide
Fired to: 950°C, 1260°C , 1260°C, 1000°C
Steen Ipsen
Tied-Up 18
2007
H: 105 cm, W: 62 cm, D: 62 cm Weight: 39 kg
WBB Vingerling K 502, earthenware glaze no. 2013, 23 m. PVC lead Fired to: 1000°C, 1050°C
* Turi Heisselberg Pedersen
Balustrade Vases
Series II 2007
H: 77 cm, W: 28 cm, D: 8 cm * Weight: 8 kg *
Stoneware KS-20, silica oxide, zink oxide, whiting, china clay, soda feldspar, dolomite, grey stain GS 247, blue stain CK 15033 Fired to: 950°C, 1267°C
Lucrative work apart from own ceramic production
What various jobs have NDC´s members had during their professional careers?
What type of paid work has the average NDC’er had apart from his/her own ceramic work since qualifying in 1990
Assistant Committee work Examining Lecturing Research, PhD Freelance design Running gallery Curatory activity Product developer Professor Instruction Semi-skilled work
A B F G L MM S T x
x x x x x
x x x x x x x x x x x x x x x
x
x x x x
x x x x
x x x x
x x x
x x x x x x x x x x
x x
How much time has the average NDC’er roughly spent on various types of paid work within the last year
Boards and committees Lectures Research, phd Running gallery Curatory activity Instruction Semi-skilled work Own work
Paid work
Addresses and exhibitions in Copenhagen
NDC’s workshops and domiciles, exhibition venues and number of exhibitions
Route domicile–workshop Sights & attractions Exhibitions > 5 Exhibitions > 10 Exhibitions > 20 Exhibitions > 30 Exhibitions > 40
The Little Mermaid
The Museum of Decorative Art Charlottenborg Udstillingssted for Ny Keramik Tivoli
Galleri Nørby The NDC foundation
Royal Scandinavia
Of all the exhibitions by NDC’s members in Denmark, 59%
have been in Copenhagen
All NDC’ers live and work in Copenhagen 20% of the work-time of the average NDC’er within the last year has been spent on some other form of paid work
NDC’s members have taken part in 53%
of all exhibitions at Udstillingssted for Ny Keramik. The exhibition venue closed in 2000
NDC’s members have exhibited 158 times in Copenhagen, 26 of which have been solo exhibitions
NDC’s members have taken part in 20%
of all exhibitions at Galleri Nørby.
The gallery closed in 2007
Design schools in Denmark and native towns
Glas- og Keramikskolen Bornholm
Designskolen Kolding
Danmarks Designskole
Grimmerhus Museum of International Ceramic Art
Guldagergaard International Ceramic Research Center
Native town 2,000–500,000 inhabitants Design school
International museum/centre
Education, courses, stays, and supplementary education
DKDS: Danmarks Designskole, Kbh DK: Designskolen Kolding KA: Kunstakademiets Arkitektskole AAU: Aarhus Universitet
Pottemager skole (School of Ceramics)
School Jerusalem
1year
School Faenza
1year School Paris 1year
Master’s degree 3 years Pratt inst.
New York PhD
DKDS 3 years
The National Workshops for Arts and Crafts
7 pers.
Multi-media course 1 year KA
3 guest stays DKDS Potter
4 years
Design school in Denmark 42 years total Average 4.6 years
DKDS and DK Glasgow exchange History
of Art AAU
8 stays abroad Shigaraki Damascus
Fuping South Africa Kinokonomori
Germany 1 year The average NDC’er was
born in 1964
3 NDC’ers qualified at Design- skolen Kolding. 6 NDC’ers qualified at Danmarks Design- skole, Copenhagen
The average ndc’er has
Completed his/her education in 1990, at the age of 26 Attended a design school in DK for 4.6 years Qualified abroad for 0.8 years
Subsequently had 1 work stay abroad
Been on 1 workshop stay at The National Workshops for Arts and Crafts
Exhibitions in Denmark
Solo – Group
Distribution of representative sales Distribution of group and solo exhibitions
Exhibition activity throughout the world
From 1990- 2007
Museum Public collection Private collection Exhibitions in DK
Represented in DK
Total exhibition activity from 1990-2007 according to whether group or solo exhibition
Number of exhibitions per country
*Represented at museums, in collections, etc.
2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990
10 10 20 30 40 50
No. of exhibitions
Europe: 87.0%
USA: 9.5%
Asia: 3.0%
8*
5*
3 6*
19*
12*
15*
11*
276*
46*
29*
40’
Slovenia 3, Korea 2, Luxembourg 2, Poland 2, Estonia 2, Croatia 2, Austria 2, Israel 1, Slovakia 1, Finland 1, Taiwan 1, Argentina 1, Italy 1 Group
Solo
NDC’s members have exhibited a total of 276 times in Den- mark, of these 158 times in Copenhagen
NDC’s members have had a total of 118 exhibitions outside Copenhagen, 12 of which have been solo exhibitions
2004 was a good year
NDC’ers have exhibited a total of 491 times, in 25 countries.
Not supported
Supported 1st and 2nd exhibition Supported 1st exhibition Both 1st and 2nd exhibition
Distribution of how many funds
NDC has applied to: Distribution of number of funds applied to who have:
Overview of grants
Received by NDC’s members 1990–2007
Overview of prizes
Received by NDC’s members 1990–2007
Number of days from sending the grant application to receiving a reply
Letter confi rming the receipt of the application Non-acceptance
Acceptance Average
Negative Result of all grant applications:
Average amount (DKK) received per sent application in connection with NDC´s 1st and 2nd exhibition 14.000
12.000 10.000 8.000 6.000 4.000 2.000
2004 2008
Non-acceptance takes on average 41.7 days.
Acceptance takes on average 76.3 days.
28% of applications for grants received a positive reply.
Waiting pays off!
34% of funds applied to have pledged assistance NDC has exhibited as a group twice.
The fi rst time was at the Danish Museum of Art & Design in Copenhagen in 2004 Freiraum, Museum
für K unst und Ge
werbe, H ambu
rg, 3.4 - 27.4
2008
St ati sti cs >< Ce ram ics
The catalogue and exhibition have been genero
usly supp orted b
y: D anish
Cra fts, A
ugus
tinusfonden,
© NDC 2008
Danmarks Nationalbanks Jubilæumsfon
d af 1968, L .F.Fog
hts F ond, Th
e Dan ish Arts Foundati
lle, Eon
g K n o d D nu off L alh ns F arse ond www.newdanishceramics.dk
The Röhss Museum of D esign
and De corative
Arts, G othen
burg, 5 .2. - 16
.3.2 008 This catalogue was produced in connection wit
h the e xhibitio
n Stati stics >
< C eram
ics We would also like to thank Frim
odt H eineke Fonden
and T he N
ation
al Workshops f
Art or nd s a raft C s
tisti Sta cs: N anis ew D ram h Ce ics nsla Tra n: J tio ohn ns Iro tos Pho ort : D rog e K h
phic Gra ign des asm : R cka us E E rdt biti xhi arc on cts hite ryd : K m sru
ted Prin Plæ by:
rafi hn G sk ion Edit 000 : 1 w Ne
an D
ish
raCe
icm s:
ne An op T
j +hø
245
4276
972
nt Be Sk e
jøttg
rdaa
+*
ww.skj9 w418902 345
oettgaard.dk
em Fl
inm
Tv g e ed anH
sen
8669528 245+
www.fl emmingtvede.dk
tte Gi un J
rsge
+en
ww.g6 wittejun20ge52rs86en 2.dk45
ne Lo ko S M v sead
+n
45 22889455
ichM
l Gae
rtsee
* en
31 113 345+
74 www.drud-koppe.com
or M n te bnLø
+45n*seersp Eer
29 93 75 60 www.espersen.nu
ee St
Ipn
n*se
+45 51275458 www.steen-ipsen.dk
R *
reep
nse ted at drud & køp
peg allery, Cope
nhagen
ri Tu eiH elss
seern +ed P45rg 3be1103012 www.turiheisselberg.dk
Flemmi ng
Tved e Han ojer psed.n’sPh
tc
002 00 6-2 ha9 b s en e nan fi d ce b y : G ldu e ag a rga Skæ rd, k ls rø D - m an ksar
kole, nsigesD
Cope
nha gen
Da nish M
useu ,migns oefADrt and
opC a enh eg Th n - Da e C nish ent r e f D or n R esig e es c ar ,h o C ep hn
enag
ISBN 978-87-990862-1-4 Printed in Denmark, 2008
